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Introduction
to Color Theory |
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Color Basics
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The advanced capabilities of desktop publishing
programs, like Serif's PagePlus
desktop publishing software,
allow you to create spectacularly eye-catching, colorful
publications—but
as you probably know from using your desktop printer, the
printout often
fails to match the promise of the radiant on-screen color.
This may be partly due to the quality of your printer,
but it’s more likely because of inherent differences
between the ways that colors are created by monitors and
by printers. If you want to get a professionally printed
result that matches the brilliance of the on-screen display,
then it will help to learn a little about the perception
of color and some printing terminology, such as color models,
color gamuts, and color management.
Our perception of color is something that isn’t
easy to qualify or define. With some allowances for color-blind
individuals, we can all recognize colors when we see
them, and make very fine discriminations between different
colors. However, color judgments are notoriously subjective
and depend not only on the "actual" color but
on other factors such as level and type of illumination,
the surrounding colors and even our psychological or
emotional state. And how do you describe colors in a
meaningful way to someone else? Labels like "blue" and "yellow" (or
even "cobalt blue" and "lemon yellow")
are hardly the answer. To handle colors in a technical
way, we need precise standards for characterizing them
so that they can be accurately and consistently detected,
classified, and recreated.
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Color Models
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A technical standard for classifying colors
is known as a color model. It would be convenient if there
were just one such model, but in fact lots have been invented—some
are consistent with the workings of the human eye and others
that are more specific to particular device types, such
as printers, monitors, photographic film, television sets,
etc.
Because different devices use different color models,
it’s as if they are speaking different languages
- which is a big part of the color reproduction problem!
Each color model uses various parameters to reference
and organize its spectrum of detectable colors. Any color
may then be specified exactly by naming the model and
the numerical values of the parameters.
Fortunately, there are just two principal color models
used in designing for print: RGB and CMYK.

Move on to the next page, Color
Models, to
see descriptions of these standards, a direct comparison
between them, and to learn why they are important to the
design process.
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